How To Access The Senor Nikon D610 Camera
Vital elements for a formidable car: FX-format sensor, EXPEED three, Picture Control and NIKKOR
The FX-format sensor, EXPEED 3 epitome-processing engine and NIKKOR lenses all come together to deliver extraordinary epitome and video quality in the new D610. The FX-format CMOS sensor yields broad dynamic range and reduced dissonance at high ISOs, with its 24.3 effective megapixels rendering exquisite sharpness. NIKKOR lenses assist fully draw out the potential of the FX format, while Nikon's EXPEED 3 — the same image-processing engine found in the D4 and D800 series — can swiftly manage the large data files that an FX-format sensor produces. During image processing, Nikon's original Motion-picture show Control technology makes it simple to tailor the individual look and experience of your stills and videos. And with enhanced auto white residue accuracy for common shooting scenarios, the D610 reproduces colors as natural and precise every bit they await in reality. Portrait photography has a stunning three-dimensional look as well.
Nikon FX-format CMOS sensor — the high optical functioning of NIKKOR lenses maximizes the reward of high pixel count
The Nikon FX-format CMOS sensor (35.nine x 24.0 mm) with 24.iii effective megapixels delivers stable, loftier epitome quality at a wide ISO sensitivity range from ISO 100 to 6400 (expandable to ISO fifty to 25600 equivalent) utilizing large pixel pitch. You can enjoy beautiful bokeh effects that only the FX format with its large-size image aeroplane can offer, while 14-bit A/D conversion and a high signal-to-noise ratio deliver images with rich tonal gradation and reduced noise. Combined with its high resolution, this achieves loftier-quality images that can be enlarged or cropped. And what maximizes the advantage of this high resolution are the NIKKOR lenses that deliver superior optical performance. The vast array of the FX lens lineup makes a wide variety of photographic expression possible. In movie shooting, the abundant data from 24.3 megapixels produces full HD movies with high definition.
EXPEED 3 epitome-processing engine, the same equally used for the D4 and D800 series, realizes superior high-speed processing performance
The D610 incorporates EXPEED 3 image-processing engine, optimized for digital SLRs, the same equally the D4, D800 series. It processes information of 24.iii effective megapixels at high speed. Nikon's very own Film Control system is only made possible by the EXPEED 3, helping yous reach the images and movies you want. Information technology excels at color reproduction, gradation processing and image quality at high sensitivity. It reduces color phase shift and reproduces human peel tone more faithfully. Furthermore, from epitome processing and SD card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at high speed. Fifty-fifty with specialized processing features similar Active D-Lighting and high ISO racket reduction, continuous shooting speed is non sacrificed and the touch to the number of shots in continuous shooting is minimized. EXPEED 3 supports Full Hard disk drive D-Flick of ane,920 ten 1,080; 30p. It is possible to record movies with minimized noise while maintaining resolution even at high ISO settings using the dissonance-reduction function designed for movies.
14-bit A/D conversion and sixteen-chip paradigm processing for rich tones
The D610 achieves reproduction of rich tonal gradation by xvi-scrap epitome processing of the digital signal resulting from 14-flake A/D conversion inside the prototype sensor. Gradation in highlight areas, which can be hard to reproduce, is rendered smoothly.
Movie Control: capture images as you imagine them
The D610's Picture Control arrangement lets you fine-tune sharpening, contrast, saturation, hue, and various adjustments for Monochrome, etc. in both nonetheless images and movies according to your preference. Select ane of half-dozen dissimilar modes — Standard, Neutral, Vivid, Monochrome, Portrait and Mural. Information technology'due south too possible to relieve adjustments as Custom Moving picture Controls, under your chosen name for detail shooting scenarios.
Straight access to Picture Command for quick setting changes
Just past pressing the Picture Control button (doubles as a retouch button) on the dorsum of the photographic camera, you can chop-chop admission the Picture Control setting display without inbound a menu. During alive view, you tin visually confirm on an LCD monitor how the epitome is affected by Flick Control settings and easily adjust them.
Software
Image browsing/editing software — ViewNX ii
Supplied software ViewNX ii provides importing and browsing capabilities of images and movies, and incorporates frequently used paradigm-editing functions such every bit resize and brightness adjustment. Likewise, ViewNX 2 employs not merely still-image editing functions such as crop, straighten and RAW processing merely also moving-picture show-editing functions equivalent to those of the camera. In addition, smooth coordination with Nikon epitome storing and sharing service, NIKON Epitome SPACE, is realized. This all-in-one browsing/editing software package volition allow more photographers to savour digital images and movies, more than hands.
Image-editing software — Capture NX 2 (optional)
Nikon'due south RAW images (NEF: Nikon Electronic Format) maintain extremely rich data. Simply Nikon'southward Capture NX two tin can fully utilize this data with its optimized file format and software processing algorithms. With the enhanced processing speed of the algorithms, processing fourth dimension is shortened. This enables loftier-speed, stress-free editing even if the data size is big. Also, Capture NX two supports 64-bit (native) to realize a comfortable working environment. You can focus on editing with ease considering it is possible to exit the original epitome intact with NEF editing. In addition to the intuitive and uncomplicated editing using Color Command Points, information technology incorporates various functions such as Machine Retouch brush, Batch Processing, Quick Set up, Straighten Tool, Vignette Control, Auto Color Aberration Control and Distortion Command.
Note: For farther details of the latest version or operating environment, please visit Nikon's website.
The defining ability to maximize 24.3-megapixel resolution — NIKKOR
To best depict out the full potential that a loftier-pixel-count digital photographic camera tin offer to render high-resolution images, using a high-operation lens that compensates various kinds of aberrations in a finely balanced way is of vital importance. NIKKOR lenses feature superior optical performance and excellent reliability, and are highly praised past professional person photographers all around the world. In improver to the loftier optical performance, Nikon'due south original technologies such every bit Nano Crystal Coat and VR render high-resolution and clear images to maximize the D610's main loftier resolution of 24.3 constructive megapixels. Moreover, this extensive, diverse lens lineup helps inspire the creative motivation of photographers.
Your DX lenses, your assets
Cheers to Nikon'southward consistent F-mount design, the D610 makes agile utilize of virtually every NIKKOR lens, including DX lenses you may already ain. But attach a lens to the D610, and the camera automatically recognizes it, setting the required ingather. Relatively smaller DX lenses contribute to keeping the camera'south total weight down — a definite advantage when agility is a must.
Note: Some lenses are not compatible with the D610
Auto white residuum that supports various light sources accurately
The D610 detects color and brightness information of the shooting scene earlier shooting utilizing the Scene Recognition System and identifies the light source highly accurately by referencing its massive collection of in-camera shooting data. The auto white balance accuracy for common shooting scenarios has been enhanced, enabling the camera to reproduce colors naturally and precisely both indoors and outdoors. In improver to the conventional setting of Auto 1 (Normal) that compensates lighting colors, the D610 allows yous to ready some other auto white balance mode, Auto 2 (Go along warm lighting colors), that maintains warm lighting ambience when you lot shoot nether incandescent light. If the image is shot in RAW, these modes can be practical using the NEF (RAW) processing of the D610'south in-camera retouch menus regardless of the shooting setting.
Wide standard ISO sensitivity ranging from ISO 100 to 6400, that handles various degrees of brightness
The D610's standard ISO sensitivity, that clears Nikon's astringent test weather, ranges from ISO 100 to 6400. Under harsh lighting weather condition, it is possible to expand to ISO 50 (Lo 1) or ISO 25600 (Hi 2) equivalent. The D610'due south large FX-format CMOS sensor responds to a variety of lighting situations such as the harsh glare of the midday sun, the depression light of dusk, a dimly lit interior and night scenes. Also, the superior dissonance reduction function reduces racket effectively at loftier ISO setting, and suppresses noise even for low-contrast subjects such as hair and grass textures while maintaining resolution as much equally possible. This splendid high ISO sensitivity functioning is powerfully effective even in movie recording.
Nikon's noise-reduction method
Thanks to its improved prototype-processing performance and a comprehensive noise reduction organisation, the D610 successfully minimizes noise at higher ISOs while essentially broadening the standard ISO range. What makes Nikon'due south dissonance-reduction method superior is that dissonance appearing in an epitome is analyzed, and so optimized racket reduction is practical accordingly. The effect: effective noise control in your movies and however images, all without sacrificing the fine details.
Auto ISO sensitivity control* that changes sensitivity automatically
Machine ISO sensitivity control lets the camera accommodate ISO sensitivity automatically if optimal exposure cannot be achieved at the selected value. The D610 comes equipped with an "Auto" choice for minimum shutter speed. The shutter speed at which the camera will start increasing ISO sensitivity for optimal exposure is automatically selected based on the lens focal length. This enables shooting with efficiently reduced photographic camera shake when using a zoom lens or if the lens is changed. The controlled value can exist minutely adjusted according to the subject'southward movement or photographer'due south needs. Car ISO sensitivity control can be set using the menu, and tin can also exist immediately accessed with the ISO button and sub-command dial.
- *When exposure manner is set to P, S, A or M only.
Active D-Lighting with enhanced image quality
Active D-Lighting preserves details in both highlights and shadowy areas, maintaining moderate contrast to reproduce brightness every bit you lot see it, even when shooting high-dissimilarity subjects in backlit situations. The D610 employs a new prototype-processing organisation that delivers superior reproduction without shifting color phase fifty-fifty when the strength level is increased. It reproduces brightness as you see it even in loftier-contrast lighting scenes such as gradation of the sky. Epitome-processing time is shortened by high-speed and highly accurate, real-time processing within pipelines. And color reproduction is improved thanks to the EXPEED iii paradigm-processing engine. Active D-Lighting is suitable for moving subjects such as people while HDR is constructive for stationary subjects.
HDR (Loftier Dynamic Range) that produces a single prototype with a wider dynamic range
Two images taken with ane shutter release at different exposures are combined to produce a unmarried image that has a wider dynamic range. Since exposure differential can be expanded upwards to 3 EV, the result is images with less noise and rich tonal gradation including shadows and highlights, even for high-dissimilarity shooting scenes. The smoothness of the edge where the two exposures come across can be adapted (the degree is selectable from loftier, normal and low) according to your intention. HDR is ideal for stationary subjects such as high-contrast landscapes and still lifes.
Note: Tripod apply is recommended.
Lateral chromatic abnormality reduction/auto distortion control/vignette command that support sharp resolution even in peripheral areas
Different other correction methods that only eliminate the colors of chromatic aberration, Nikon'south lateral chromatic aberration reduction compensates for the differences in the resolving sizes of each colour. This proves especially effective for reducing image distortion at the edges of a frame and for improving paradigm quality throughout the unabridged frame, regardless of the NIKKOR lenses used. If you lot set "On" for "Auto baloney control" when using G or D lenses*1, barrel distortion acquired by a wide-bending lens or pin-absorber distortion acquired by a telephoto lens can be compensated. Also, information technology employs "Vignette command*2" that reduces the drop in effulgence at the edges of a photograph caused by characteristics of the lens.
- *1PC, fisheye, and certain other lenses excluded.
- *2DX and PC lenses excluded.
6-fps continuous shooting: FX-format quality at full-throttle speed
The D610 achieves high-speed performance past employing an exclusive driving mechanism that drives the mirror independently. Combined with the swift operation of the EXPEED iii prototype-processing engine, loftier-speed continuous shooting at upward to approx. half-dozen fps*one in FX formats, for a maximum of 100 shots*2 is realized. Using dynamic-area AF allows you to capture the decisive moment of a moving subject more than precisely. Kickoff-upwardly time is simply approx. 0.xiii s*1 and release time lag is approx. 0.052 s*ane which is close to the approx. 0.042 south*1 of the D4. The shutter-release push and power switch are coaxially located, realizing smooth transition from turning on the camera to releasing the shutter, while the grip shape does not hinder finger movement. All of this contributes to quick and comfortable shooting, helping yous to capture unexpected photo opportunities.
- *1Based on CIPA Guidelines.
- *twoJPEG, excluding fine/Large in FX format (max. 51 shots) and normal/Large in FX format (max. xc shots).
Q (quiet) / Qc (quiet continuous) shutter-release way [NEW]
The quiet shutter-release way is suitable when yous want to shoot with less mirror movement sound. For a single frame, the mirror does not click dorsum into place while the shutter-release button is fully pressed, assuasive delay of the timing of the click made past the mirror and insulating the sound by covering the photographic camera with a material, which is also quieter than in unmarried frame mode. Simply select "Q" on the release style punch to smoothly switch between single-frame fashion and quiet shutter-release mode every bit needed. Furthermore, the D610's new Qc (quiet continuous) shutter-release way reduces mirror noise while yet offering up to three fps*, for maximum discretion when capturing cautious, elusive subjects or shooting quiet scenes such as a ceremony, schoolhouse play or when taking pictures of wildlife, or insects.
- *Based on CIPA Guidelines.
Approx. 100% frame coverage: essential for accurate viewfinder framing
The D610's optical viewfinder features approx. 100% frame coverage that enables confirmation of the unabridged large epitome area of FX format for precise composition. And approx. 0.7x* magnification allows easy viewing of all the visual elements including the viewfinder data brandish. The frame coverage and magnification are the same equally those of the D4 and D3 series, realizing comfortable shooting. In addition, grid lines can optionally exist placed across the viewfinder (in FX format), a feature that is convenient for composition in mural or architectural shooting.
- *With a 50mm f/i.4 lens at infinity, -i.0 m-ane.
High-density 39-bespeak AF system
The D610 comes equipped with a Multi-CAM 4800 autofocus sensor module. 39 focus points acquire and rail subjects precisely and the ix cantankerous-blazon sensors cover the most oftentimes used eye area to deliver higher subject-acquisition operation. AF surface area can exist selected from single-signal AF, dynamic-area AF (9 points, 21 points, 39 points), 3D-tracking and auto-surface area AF. Combined with the Scene Recognition System utilizing a 2016-pixel RGB sensor that recognizes smaller subjects, the D610 shows higher subject-tracking and subject area-identification performance. Furthermore, it is possible to choose an 11-signal option by using custom settings. This is convenient for selecting a focus point quickly.
Selectable AF-surface area modes according to the subjects
- Single-indicate AF mode
The photographic camera focuses on the field of study at a selected focus bespeak just. This is virtually suitable for stationary subjects, for case, when you lot want to focus on your subject area's optics in a character portrait.
- Dynamic-area AF style
Suitable for a moving field of study. The camera will focus based on information from surrounding focus points if the subject briefly leaves the selected point. Dynamic-area AF allows you to choose from 9, 21 or 39 points. In each mode, the selected AF point and the surrounding points cover a wide area to continue your discipline in abrupt focus, combining with AF-C (continuous-servo AF) of autofocus manner.
9 points | Used when in that location is time to compose the photograph or for subjects that are moving predictably and tin be easily framed with the selected focus point |
---|---|
21 points | Suitable for a randomly and unpredictably moving subject |
39 points | Suitable when photographing subjects that are moving speedily and cannot exist easily framed with the selected focus point |
- 3D-tracking mode
The camera tracks the subject using all 39 points. This is ideal for shooting subjects that are moving erratically from side to side in a creative composition. Once the bailiwick is focused with a selected focus indicate, the camera maintains tracking of the discipline by automatically shifting among focus points according to the subject'south movement while the shutter-release button is pressed halfway. Past utilizing subject tracking of the Scene Recognition Arrangement, the D610 recognizes fine patterns of the subject'south color and effulgence that are tracked with selected focus point to reach highly accurate and stable subject tracking.
- Auto-surface area AF mode
The camera identifies and focuses the subject field automatically using all 39 focus points. With a M- or D-type AF NIKKOR lens, the D610 can distinguish foreground and background and detects a person's position past recognizing homo skin tone for improved subject field acquisition.
Seven focus points compatible with f/eight make super-telephoto shooting attainable
The seven focus points (five primal focus points and one point to the left and right of them in the heart line) are compatible with f/eight. Stress-complimentary and smooth focusing is realized with the one.4x or 1.7x teleconverter and precise focusing is possible even with the effective aperture value of f/8 by attaching a ii.0x teleconverter to telephoto lenses with maximum aperture of f/4. Comfortable AF shooting is realized for shooting wild birds or trains, for example, from a long altitude at high magnification. Furthermore, the compact, lightweight combination of the D610, NIKKOR FX lenses and teleconverter makes long-distance shooting more accessible than e'er.
Annotation: Perform every bit cross-type sensors
Contrast-observe AF that enables precipitous focusing
The D610'southward enhanced contrast-detect AF speed is equivalent to that of the D4 and D800 serial. During live view and movie recording, high-speed and sharp focusing is realized. Selectable autofocus modes include single-servo AF (AF-S) suitable for still paradigm shooting, and total-fourth dimension-servo AF (AF-F) for film shooting. Also, from four AF-area modes, you can select the nearly advisable style according to your subject. Contrast-detect AF allows yous to focus anywhere inside a frame to aggrandize your creative freedom.
AF-area modes
- Face-priority AF
Suitable for focusing on a person's face such as for a commemorative photo. Up to 35 faces tin can be detected. When multiple faces are detected, the camera will focus on the subject recognized to be the closest. Alternatively, you can cull a different face up in the frame with the multi selector.
- Wide-area AF
For handheld shooting of mural shots. The focus betoken can be moved to the desired position within a frame.
- Normal-area AF
Since the focus indicate is smaller than that of the wide-expanse AF, information technology is ideal for tripod shooting to achieve a pin-point focus in close-upwards shots. The focus signal can be moved to the desired position within a frame.
- Subject-tracking AF
Suitable for a moving subject. Subsequently focus is locked with the centre button of the multi selector, the focus point tracks the subject'south movement.
Scene Recognition Organisation with enhanced accurateness accomplished by the 2016-pixel RGB sensor
Scene Recognition Organisation recognizes the subject'south situation accurately prior to shooting and enables precise auto command, which professional person photographers will appreciate in a multifariousness of situations.
The D610's Scene Recognition System
The D610 precisely analyzes the subject's state of affairs before shooting, including effulgence and color, employing data from the 2016-pixel RGB sensor and the high-pixel count paradigm sensor, and applies it to autofocus, auto exposure, i-TTL counterbalanced fill-flash, motorcar white residue command and Agile D-Lighting.
Bailiwick identification/Discipline tracking
In stage-detection AF using the viewfinder, the loftier precision of auto-area AF is assisted by subject area identification, while 3D-tracking is supported utilizing subject tracking. In contrast-detect AF during live view and video recording, for subject area-tracking AF, the image sensor'south subject field tracking is utilized to assist the high precision of auto-focus.
Light source identification/Highlight analysis
Calorie-free source identification is used not only for enhancing the precision of auto white balance. But it is also for exposure command and i-TTL counterbalanced fill-flash, incorporated with highlight analysis that meticulously detects the highlights of an epitome.
Face detection on image aeroplane
Face-priority AF is also bachelor, using the image sensor'southward face detection information during live view or movie recording. In playback of yet images, faces can exist zoomed in on, allowing like shooting fish in a barrel confirmation of focus.
Two types of paradigm surface area options
The D610 offers selectable image area options: FX format (35.9 x 24.0 mm) and DX format (23.5 x 15.vii mm). Each image area tin can exist confirmed in the viewfinder. DX format offers an angle of view equivalent to approx. 1.5x lens focal length, useful for creating an extension to the focal length of an existing lens. Besides, you tin can make skillful use of your DX lenses considering it is possible to go along sufficient image size (approx. x.4 megapixels) even in DX-format prototype area thanks to the 24.3 effective megapixels. When a DX NIKKOR lens is used, DX format is automatically selected as the default setting.
Virtual horizon that tin can observe inclination in rolling and pitching directions
The in-photographic camera virtual horizon can discover both rolling (horizontal inclination) and pitching (forrard or rear inclination) directions and brandish the inclination of the rolling and pitching directions on the LCD monitor and rolling direction in the viewfinder. This function is particularly useful when shooting subjects such as nonetheless lifes, landscapes and architecture.
Remarkably compact and lightweight body
Inheriting an array of specifications and functions equivalent to those of the D4 and D800 series, the D610 combines them in a remarkably pocket-size and light camera trunk. There has been a comprehensive improvement of many details, such as reducing the number of components by giving multiple functions to each one, reviewing the space efficiency of diverse parts, optimizing the design around the pentaprism and employing a smaller AF sensor module. All of these factors help achieve a compact and lightweight body with superior agility.
Models | Dimensions | Weight*1 | Weight*2 |
---|---|---|---|
D610 (FX) | Approx. 141 10 113 x 82 mm | Approx. 850 g | Approx. 760 g |
D4 (FX) | Approx. 160 x 156.five ten 90.5 mm | Approx. ane,340 1000 | Approx. 1,180 thousand |
D800 serial (FX) | Approx. 146 x 123 10 81.5 mm | Approx. 1,000 g | Approx. 900 g |
D7100 (DX) | Approx. 135.5 10 106.five x 76 mm | Approx. 765 one thousand | Approx. 675 one thousand |
- *1Include batteries and memory cards, exclude body cap.
- *2Body only.
Lightweight and ruggedly constructed trunk with dust-prevention and conditions-resistance employing magnesium blend
The D610 employs magnesium alloy for the top and rear covers. Despite its compact and lightweight torso, information technology achieves high robustness and durability. As well, various points of the body are finer sealed to attain superior grit-prevention and weather condition-resistant operation equivalent to that of the D800 series.
Shutter-release button and power switch ergonomics
The shutter push button axis is moderately inclined to ensure natural finger motility even with such a meaty body, to enhance operability. The power switch has been designed flat then as not to disturb shutter release operation. And there is no height difference between the power switch and trunk surface, for relaxed finger property. The red motif located at the upper office of the grip employs molded materials to support shine punch performance. The movie-record push is located next to the shutter-release push enabling the get-go of movie recording from movie live view with a slight finger movement, thus keeping the photographic camera stable to prevent camera milkshake.
Improved grip property
With a deeper and vertically longer grip, stable belongings is achieved despite a compact and light body. Furthermore, rubber textile is employed for the thumb rest space attaining an optimized design to ensure reliable holding. These factors achieve a comfortable fit for the widest range of mitt sizes.
Dust-preventing, weather condition-resistant interface covers
The interface cover for the headphone connector, USB connector, accessory concluding, etc., is divided into three to ensure dust-prevention and atmospheric condition-resistance for the separate interface sections.
Base patterns effective for vertical shooting
The D610 incorporates anti-slip patterns on the base of the body which realize an extra-certain grip when shooting vertically on a tripod.
Highly durable and precise shutter mechanisms tested for 150,000 cycles
The D610 employs a high-speed and loftier-precision sequential control machinery that drives the shutter, mirror and aperture independently. The shutter has been tested for 150,000 cycles with the shutter unit and driving machinery actually loaded to evidence its extremely high durability, appropriate for a precision, digital SLR camera. Furthermore, it also incorporates a meaty self-diagnostic shutter monitor to maintain high precision stably. The shutter monitor checks and detects shutter speed variance between fix or controlled shutter speed and actual speed constantly to achieve highly accurate shutter control with minimized variance.
SD memory menu double slots compatible with high-speed SDXC and UHS-I
The D610 supports SDXC (Secure Digital eXtended Capacity) and UHS-I. Combined with the rapid operation of the EXPEED 3 image-processing engine, it processes and writes epitome data of 24.3 megapixels at loftier speed. In high-speed continuous shooting, the number of available shots*1 is 100 frames in JPEG*two and 16 frames in RAW (lossless compressed/14-bit). Besides, Middle-Fi card (on the market) that allows wireless transmission of the taken images from a camera to a PC is supported. Moreover, a diverseness of recording options is available — "Overflow", "Backup", and "RAW master, JPEG secondary" recording that lets you record RAW data and JPEG data separately to each card. What's more, y'all can copy images between the two memory cards. In addition, when shooting D-Moving picture clips, yous tin select the slot according to the remaining capacity.
- *1With an 8 GB San Disk SDHC UHS-I card (SDSDXPA-008G-J35). Nether examination weather established by Nikon. The value may vary co-ordinate to shooting conditions. The maximum number of exposures that can exist stored in memory buffer at ISO 100. Drops if optimal quality is selected for JPEG compression, ISO sensitivity is set to Hello 0.3 or higher, or long exposure racket reduction or auto baloney command is on.
- *2JPEG, excluding fine/Big in FX format (max. 51 shots) and normal/Big in FX format (max. 90 shots).
Approx. 921k-dot, wide-viewing angle, 8-cm (3.2-in.) LCD monitor with reinforced glass that reduces the surface reflection of each part to deliver articulate visibility with its integrated structure of drinking glass and console
The D610'south large, wide-viewing-bending, 8-cm (3.two-in.), approx. 921k-dot, loftier-definition LCD monitor achieves clear visibility with less surface reflection by means of an integrated construction of drinking glass and panel. The colour reproduction range is farther extended compared with conventional models. The ability to magnify playback images up to approx. 38x (Large-size images in FX format) is extremely helpful for quick and accurate focus confirmation. Moreover, the D610 employs an ambience effulgence sensor. If monitor brightness is set to "Auto", the camera automatically adjusts LCD brightness when the monitor turns on according to the environmental lighting conditions, allowing like shooting fish in a barrel live view or paradigm confirmation.
LCD monitor with an integrated construction of glass and panel realizes a clearer image
Coaxially located manner dial and release mode punch
The way punch and release mode punch are coaxially located to improve operability. Quick style switching is possible. The mode dial incorporates a lock office to prevent unintentional way switching. The lock release is like shooting fish in a barrel to operate allowing smooth and secure release. Quiet shutter-release style, which is quieter than single-frame manner, tin be prepare using the release mode dial.
Live view optimized for even so images/movies selectable with live view selector
The D610 comes equipped with live view for even so images and movies, providing display and operation optimized for each of them. This can be switched smoothly using the coaxially located alive view push button and alive view selector. Live view photography is dedicated to still image shooting with the same aspect ratio as the viewfinder. And the speed of contrast-detect AF is equivalent to that of the D4 and D800 serial. In live view, it is possible to magnify images upward to approx. 19x to check the verbal focus. Also, metering in live view is adapted to suit the live view display, producing photographs with exposure close to what is seen in the monitor.
For picture live view, the D610 incorporates defended exposure controls that enable shine exposure transitions of the scene. The setting information display is switched to either that for still images or movies according to the selected alive view. Likewise, you can shoot nevertheless images in 16:nine attribute ratio by pressing the shutter-release button during movie alive view or picture recording. (Movie recording will end and the footage recorded up to that point will be saved.)
Free energy-saving design
An efficient power circuit, the highly energy-efficient EXPEED 3 and other features reduce the ability consumption of the D610. It adopts the EN-EL15 Rechargeable Li-ion Battery, which is the aforementioned as the D800 series and D7000. Information technology is possible to shoot approx. 900 shots* of all the same images on one charge of the EN-EL15 Rechargeable Li-ion Bombardment loaded in the camera body. As power sources, one EN-EL15, EH-5b Air-conditioning Adapter (with EP-5B Power Connector) and MB-D14 Multi-Power Battery Pack tin can be used.
- *Based on CIPA Standards.
MB-D14 Multi-Power Bombardment Pack that enables smoothen vertical shooting (optional)
The MB-D14 Multi-Power Battery Pack, exclusively designed for the D610, supports two types of batteries (1 EN-EL15 Rechargeable Li-ion Battery and six R6/AA-size alkaline, Ni-MH or lithium batteries) and the EH-5b Air-conditioning Adapter (with EP-5B Power Connector). Seamless switching of power feeding betwixt the battery of the D610 and the MB-D14 is possible when one EN-EL15 is loaded in each of them, enabling the user to shoot approx. twice as many images as the D610 alone. Photographers tin concentrate on shooting at their ease without worrying about bombardment life. Furthermore, the MB-D14 Multi-Power Bombardment Pack incorporates controls for vertical shooting; shutter-release button, shutter-release push lock lever, AE-L/AF-L push button, multi selector, and main/sub command dials. Magnesium alloy is used for the exterior.
Number of shots per accuse (Based on CIPA Standards)
Batteries | Number of shots per charge | |
---|---|---|
Camera body | MB-D14 | |
EN-EL15 | - | Approx. 900 shots |
- | EN-EL15 | Approx. 900 shots |
- | AA alkali metal batteries | Approx. 650 shots |
EN-EL15 | EN-EL15 | Approx. 1,800 shots |
EN-EL15 | AA element of group i batteries | Approx. 1,550 shots |
Full Hard disk drive quality utilizing 24.3 effective megapixels
The D610 supports Full Hd 1,920 x 1,080; 30p. EXPEED 3 processes high-pixel-count data of approx. 24.3 effective megapixels optimally to evangelize high-resolution movies with reduced jaggies and moiré. Noise reduction optimized for flick recording effectively reduces dissonance, while maintaining definition. Smooth gradation with minimum block dissonance which tends to occur in compression, and flick recording with reduced random noise at high ISO setting are realized. The file size is compressed with the H.264/MPEG-4 AVC format and approx. 29 min. 59 s* maximum recording time is achieved. You can also select 1,280 ten 720; 60p, suitable for recording movements more smoothly. The movie-record button is located next to the shutter-release push enabling smooth outset/finish of movie recording as if shooting still images. Prototype blur caused by camera shake is minimized.
- *Maximum recording time varies according to frame rate, frame size and epitome quality settings. Maximum recording time for time-lapse photography is 20 min.
Time-lapse photography that reproduces time transition at high speed
Time-lapse photography lets you shoot automatically at designated intervals and relieve as a movie to replay slow-moving activity at high speed. Without complicated calculation or editing, yous tin only set shooting interval and time on the menu display to generate a movie within the camera, from 24 to 36,000 times faster than regular playback. Y'all tin can record a dramatic sequence of natural phenomena such as the period of clouds, movements of stars, the blooming of flowers, or cars and people coming and going in a city scene.
Annotation:Moving-picture show files of time-lapse photography will exist saved in sixteen:9 aspect ratio.
Multi-area way Full Hard disk D-Movie that delivers 2 selectable pic formats
The D610's pic part offers two moving-picture show formats, selectable according to the photographer's creative intentions. The FX-based format* renders exquisitely shallow depth of field with beautiful bokeh effects, taking reward of the big image sensor. In the DX-based format, it is possible to get shut enough to the subject with a short-focal-length lens because of its smaller image area. Having ii moving picture formats in one camera and an armory of NIKKOR lenses including DX lenses gives you much more than creative expression.
- *The attribute ratio of movies is 16:9 whichever format is selected.
Sound control with diverse options
The D610 incorporates an external microphone terminal. If you attach the compact ME-ane Stereo Microphone (optional) you can tape clear sound while significantly reducing mechanical noise. Moreover, the D610 employs a headphone terminal that lets you effectively monitor audio with optional stereo headphones. The audio level can be finely adapted in 30 steps. While the sound level indicators on an LCD monitor offer visual confirmation of audio level during movie live view, and the microphone sensitivity tin can exist controlled precisely in 20 incremental steps.
Note: Microphone sensitivity and headphone volume cannot exist changed during motion-picture show recording.
Flicker reduction function
This role reduces flicker effects and vertical lines that may occur on a screen nether artificial lighting such as fluorescent or mercury lamps during live view or video recording. The auto mode in the flicker reduction menu tin can automatically identify the flicker frequency to ensure appropriate exposure control that causes less flicker. Manual selection of 50 Hz and sixty Hz is also available when needed.
Index marking convenient for in-camera movie editing
The D610 allows you to choose the part played by the preview button during movie live view via custom carte du jour. If "Index mark" is set, y'all tin can add together indices at important frames during film recording to locate the frames chop-chop in after-stage in-camera editing. Indices are indicated along with the progress bar, which is like shooting fish in a barrel to confirm visually.
Simultaneous brandish of movie and movie live view output on external monitors via HDMI
- External monitor in the image above is the production
of another manufacturer.
The D610 employs an HDMI mini-pin connector. Simultaneous display on an LCD monitor and external monitor is available. In movie live view, it is possible to output in the same resolution every bit the recording size of the movie (max. i,920 x ane,080*). In flick recording or motion picture live view, you can opt non to brandish the setting information which appears on the LCD, on the connected equipment via HDMI. This is user-friendly for viewing the entire frame when the image captured with a camera needs to be checked in real time with the large screen of the monitor connected via HDMI. Too, it is possible to record uncompressed picture live view data straight to an external device before recording information technology to an SD memory bill of fare, meeting demands of professionals who demand uncompressed high-quality pic footage to edit on continued equipment. Furthermore, if the camera is continued to a Telly uniform with HDMI-CEC, remote playback operation of the camera using a Boob tube remote control is available.
- *When recording a movie through an HDMI interface, the output image may exist smaller than the value set with the "image size/frame rate" menu.
Specifications
Epitome size (pixel)/frame rate* | Maximum bit rate (★high/normal quality) | Maximum recording time (high/normal quality) |
---|---|---|
1,920 x ane,080; 30p | 24 Mbps/12 Mbps | xx min./29 min. 59 southward |
1,920 x 1,080; 25p | ||
i,920 10 i,080; 24p | ||
1,280 x 720; 60p | ||
1,280 10 720; 50p | ||
i,280 x 720; 30p | 12 Mbps/viii Mbps | 29 min. 59 south/29 min. 59 s |
1,280 x 720; 25p |
- *Listed value. Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively.
Notation: The videos shown here were taken using the D-Movie function, so converted to Flash Video format for ease of treatment. Paradigm quality varies from the original.
Enjoy expressing your creativity with the congenital-in flash
The D610's built-in wink has a guide number of approx. 12/39 (m/ft, ISO 100, twenty°C/68°F) and provides coverage for the bending of view of a 24 mm lens. The superior flash control accuracy merely Nikon tin can provide is highly praised past professionals and realizes flash shooting with natural light.
Built-in flash commander role enables a diverseness of creative lighting
Furthermore, the born flash incorporates a commander function that supports Avant-garde Wireless Lighting. It can command a single group or two independent groups containing several remote Speedlights wirelessly. By lighting from a wide range of directions, you tin enjoy shooting with a diverseness of lights, for case, shooting flowers vividly, rendering face lines and details sharply and reproducing the subtle textures of subjects.
Remote control accessories give extra shooting versatility
WU-1b Wireless Mobile Adapter (optional) that enables remote shooting and transmission of images to a smart device
By attaching the optional WU-1b Wireless Mobile Adapter to the D610's USB connector, two-way communication between the camera and a smart device such as a smartphone or tablet computer with built-in wireless advice function is possible. By using the remote shooting function that allows you to release the shutter of a camera from a altitude, information technology is possible to use the monitor brandish of the smart device every bit a live view display and shoot from the all-time angle. The taken images tin be transmitted wirelessly and you tin can savor a diversity of applications such as uploading to an SNS or attaching them to a mail easily. The WU-1b is compatible with smart devices using the Android™ Bone and iOS.
Notation: Using the WU-1b connected to a smart device requires you to install Wireless Mobile Utility (Can exist downloaded free from the application shop of each smart device) to the device prior to use.
- Wireless Mobile Utility
Wireless Mobile Utility is software enabling download of images from a camera to a smart device or operation of a camera from a smart device for taking an image by attaching the WU-1b Wireless Mobile Adapter.
Supports Android OS 2.iii series, 3.x series and 4.x serial, iOS 5.1 and five.1.1.
Note: Can be downloaded from Google Play or App Store (gratuitous).
Wireless Remote Controllers with farther enhanced convenience using radio transmission
Utilizing 2.4-GHz radio waves, the WR-i and WR-R10/WR-T10 Wireless Remote Controllers widely expand the flexibility of remote command. Unlike remote controllers that utilise infrared rays, they enable remote controlling over long distances. Yous tin can employ them to release shutters, even if obstacles, such every bit trees, stand in the fashion. Driving AF by half-pressing the shutter-release button of the controller and continuous shooting by pressing the shutter-release button longer are available. Furthermore, with the adequacy to control multiple cameras, these controllers can be employed for a variety of shooting scenarios; you can shoot stills or movies* simultaneously using several cameras with different lenses fastened or cameras positioned at unlike angles; if you divide cameras into groups and assign a aqueduct to each, y'all can command each grouping independently and perform such operations as shooting stills with one group and recording movies* immediately after with a different group.
- *Movie recording is possible with the D4, D800 series, D610, D600, D7100 and D5200.
Advanced multifunctional WR-1 Wireless Remote Controller (optional)
The WR-one is an avant-garde multifunctional remote controller. When 1 WR-1 is configured as a transmitter and another as a receiver, which is attached to the D7100, it is possible to view or modify the camera settings*1 using the brandish of the transmitter. Utilizing radio waves, the communication range between WR-1 units is up to 120 one thousand/394 ft*2. Fifteen channels are bachelor. Besides remote control of a camera with a WR-i (used equally a receiver) attached, achieved by operation of another WR-1 (used equally a transmitter) *iii, in that location are diverse remote shooting options, such as: simultaneous release of shutters on several cameras; release of shutters on several cameras synchronized with a main camera that has a WR-one attached*4; remote control of each group of cameras separately, and Interval Timer Photography. Remote shooting by combining the WR-ane with WR-R10/WR-T10 is as well possible*3.
- *1Functions express. Exposure modes (viewing, simply not irresolute, is bachelor), shutter speed/aperture value (Availability of viewing and changing settings depends on the exposure style in use), ISO sensitivity, etc.
- *22 Approximate range at height of virtually 1.2 m/four ft; varies with weather atmospheric condition and presence or absence of obstacles.
- *3This requires pairing the WR-1, WR-R10 and WR-T10 units in use. Maximum number of controllers that can be paired: xx (WR-i) or 64 (WR-R10).
- *fourBut a photographic camera with a ten-pivot remote last can exist employed equally a main camera in Synchronized Release.
Remote controlling becomes easy with WR-R10/WR-T10 Wireless Remote Controllers (optional)
The maximum advice distance betwixt the WR-R10 and WR-T10 is 20 m/66 ft*. You lot can command a single or multiple cameras with a WR-R10 attached (number of cameras is unlimited) by using the WR-T10 every bit a transmitter.
- *Approximate range at height of well-nigh 1.ii g/iv ft; varies with weather conditions and presence or absence of obstacles.
Scene Modes choose the most appropriate settings according to shooting scenes
The D610 incorporates Scene Modes. If you select a mode according to the scene, the D610 automatically chooses the nearly advisable settings. There are a variety of modes such as High key, Low key, Landscape, Sunset and Silhouette.
Scene Modes employed on the D610
Portrait, Mural, Kid, Sports, Close upwardly, Night portrait, Night landscape, Party/Indoor, Embankment/Snowfall, Sunset, Grit/Dawn, Pet portrait, Candlelight, Bloom, Fall colors, Food, Silhouette, High cardinal, Low key
Extensive retouch menus
The D610 comes equipped with a wide range of image-editing menus. Captured images and movies can be edited in-photographic camera without using a reckoner. The extensive retouch menus include NEF (RAW) processing that enables functions such as White residuum that offers selectable auto modes of A1 (Normal) and A2 (Keep warm lighting colors), Vignette command and D-Lighting. Likewise, there are a variety of menus like Selective colour, Straighten, Distortion control, Colour sketch and Miniature event. Moreover, Edit movie allows you to choose the start and end points simultaneously, and it is also possible to save a selected frame as a JPEG epitome. The D610 incorporates retouch button (doubles as Motion picture Control button) on the back of the camera to enhance operability.
Retouch menus incorporated in the D610:
D-Lighting Red-eye correction Trim Monochrome Filter effects Colour remainder Paradigm overlay NEF (RAW) processing Resize Quick retouch Straighten Distortion control Fisheye Color outline Color sketch Perspective command Miniature effect Selective colour Edit pic
Remote control software — Camera Control Pro ii (optional)
Camera Control Pro 2 is remote command software that operates various functions and activities of the D610 from a computer to raise the productivity of remote shooting. Too exposure fashion, shutter speed and aperture settings, it allows you to switch between live view of stills and movies and adjust white balance. Yous can also brandish sound level indicators on a computer during picture recording.
NIKON Paradigm SPACE — Nikon'south easy-to-empathise, simple-to-apply epitome sharing and storage service
"NIKON Epitome SPACE" is a gratis, online prototype sharing and storage service. With a rapid, highly convenient user interface and simple operation flow, y'all can upload/download, browse, organize and share pictures and movies, as well as coordinate with SNS, smoothly and just. "Basic account," with a maximum of two GB storage space, is bachelor to all registered users. "Special account," that can be used by Nikon digital camera owners, offers storage space up to 20 GB and diverse useful functions, including the ability to set a countersign when sharing images and restrict prototype download.
System nautical chart
- †Can exist downloaded from application store of each smart device (free).
- *Supplied accessories
- **Non-Nikon products
- Blue lettering: Accessories dedicated to moving picture shooting.
- Green lettering: Accessories dedicated to still paradigm shooting.
- Blackness lettering: Accessories compatible with both movies/stills.
Compatible Non-CPU lensesiii
Lens/accessory | Camera setting | |||||||
---|---|---|---|---|---|---|---|---|
Focus | Mode | Metering | ||||||
AF | M (with electronic rangefinder) | Thousand | P, S | A, G |
| | ||
3D | Colour | |||||||
AI-, AI-modified, NIKKOR or Nikon Series E lensesfour | - | 2 |
| - | 5 | - | 6 | 7 |
Medical-NIKKOR 120mm f/4 | - |
|
| - | eight | - | - | - |
Reflex-NIKKOR | - | - |
| - | 5 | - | - | vii |
PC-NIKKOR | - | ane |
| - | 9 | - | - |
|
AI-type Teleconverterten | - | 11 |
| - | 5 | - | 6 | 7 |
Atomic number 82-6 Bellows Focusing Attachment12 | - | xi |
| - | thirteen | - | - |
|
Auto extension rings (PK-series 11A, 12, or 13; PN-xi) | - | 11 |
| - | 5 | - | - |
|
- : Compatible
- -: Not Compatible
- 1Tin non be used with shifting or tilting.
- 2With maximum aperture of f/5.6 or faster.
- threeSome lenses tin non be used.
- 4Range of rotation for AI lxxx-200mm f/2.8 ED tripod mount is express by camera trunk. Filters can not be exchanged while AI 200-400mm f/4 ED is mounted on camera.
- vIf maximum aperture is specified using Non-CPU lens data, aperture value will be displayed in viewfinder and control panel.
- 6Can exist used simply if lens focal length and maximum aperture are specified using Non-CPU lens data. Use spot or center-weighted metering if desired results are non achieved.
- sevenFor improved precision, specify lens focal length and maximum aperture using Non-CPU lens information.
- 8Can be used in transmission mode G at shutter speeds slower than flash sync speed past ane stride or more.
- 9Exposure adamant by presetting lens discontinuity. In mode A, preset aperture using lens aperture ring before performing AE lock and shifting lens. In mode M, preset aperture using lens discontinuity ring and determine exposure before shifting lens.
- tenExposure compensation required when used with AI 28-85mm f/iii.5-4.5, AI 35-105mm f/3.five-four.5, AI 35-135mm f/3.five-4.5, or AF-Southward eighty-200mm f/two.8D.
- elevenWith maximum effective discontinuity of f/v.6 or faster.
- 12Requires PK-12 or PK-thirteen Auto Extension Ring. PB-6D may exist required depending on camera orientation.
- thirteenUtilize preset aperture. In style A, gear up aperture using focusing attachment before determining exposure and taking photograph.
- PF-4 Reprocopy Outfit requires PA-4 Camera Holder.
- Dissonance in the course of lines may appear during autofocus at high ISO sensitivities; utilise manual focus or focus lock.
Parts and controls
1 | Exposure compensation push/Two-button reset button | 2 | Shutter-release button | 3 | Power switch |
---|---|---|---|---|---|
4 | Sub-control dial | 5 | Depth-of-field preview button | vi | Ability connector cover |
seven | Fn (function) button | 8 | Mirror | 9 | Meter coupling lever |
10 | Lens mountain | 11 | Focus-mode selector | 12 | AF-mode button |
13 | Lens release button | xiv | Lens mounting marking | xv | Bracketing push |
16 | Congenital-in microphone | 17 | Wink fashion button/Wink compensation button | 18 | Infrared receiver (forepart) |
19 | Eyelet for photographic camera strap | 20 | Release way dial | 21 | Mode dial |
22 | Style punch lock release | 23 | Accessory shoe (for optional wink unit) | 24 | Congenital-in flash |
25 | AF-help illuminator/Self-timer lamp/Crimson-eye reduction lamp | 26 | Metering button/ | 27 | Movie-record button |
28 | Command panel | 29 | Focal airplane mark | thirty | Playback button |
31 | Card button | 32 | Retouch button/Picture Control button | 33 | Connector for external microphone |
34 | Headphone connector | 35 | USB connector | 36 | HDMI mini-pin connector |
37 | Accessory concluding | 38 | Help button/Protect button/White balance button | 39 | Playback zoom in push button/Image quality/size button |
xl | Playback zoom out/thumbnails push button/ | 41 | Tripod socket | 42 | Monitor |
43 | Info button | 44 | Contact cover for optional MB-D14 battery pack | 45 | Battery-sleeping room cover |
46 | Battery-sleeping room cover latch | 47 | Speaker | 48 | Infrared receiver (rear) |
49 | Retention card access lamp | 50 | Live view selector | 51 | Alive view button |
52 | Ambient brightness sensor | 53 | Retentivity card slot embrace | 54 | Focus selector lock |
55 | OK button | 56 | Multi selector | 57 | Principal command punch |
58 | AE/AF lock button | 59 | Diopter adjustment control | lx | Viewfinder eyepiece |
61 | Safe eyecup | 62 | Delete button/Formatting retentiveness cards button |
Source: http://www.nikon.co.id/en_ID/product/discontinued/digital-slr-cameras/d610
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